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Love itself were vain If envy could corrupt it. Love must be Surrender by its own necessity Unto the God from Whom itself derives. No more desire in emulation strives, But all our joy is in this will supreme; And thence is His joy also, that our wills Find peace in His - the universal sea Which to Itself all that Itself creates, And all that Nature thence originates, Draws in divine attraction.

As the name implies, this part contains Dante's version of Paradise. Dante's Paradise is influenced by medieval views on Cosmology. Accordingly, it has nine concentric spheres that surround the earth. Above the spheres is the Empyrean which is where God resides. In Paradiso, Dante journeys through Paradise. Here his guide is Beatrice. Virgil is no longer there and I missed dear old Virgil who guided Dante through the Inferno and Purgatorio.

Unlike in the Inferno and Purgatorio where literary influences also could be seen, Paradiso is based almost completely on Christian theology and religious history so far as I understood it. It is said that allegorically Beatrice represents theology. So it is all but natural that Beatrice is his guide here and that Virgil has no role to play. The beautiful metaphors, the detailed descriptions and lyrical beauty of the verses that I loved in both the Inferno and Purgatorio, are found here as well.

I really enjoyed reading them. However, when compared with the other two, Paradiso was a heavy read for me. At times, especially towards the middle, I found the read a little exhausting. But towards the last third cantos, the contents were lighter and I was able to get in to a comfortable pace of reading. Now that I have read all three parts, I can safely confirm that my favourite out of them is the Inferno. I find Inferno to be more creative and imaginative than the other two.

Nevertheless, I enjoyed them all. With this read, I have completed my read of the Divine Comedy. I cannot say that I understood the entirety of it, but for me, poetry is more to feel than to understand. View all 4 comments. Feb 06, Vanessa J. And it all ended with God. In Paradiso , Dante's journey is continued and brought to an end.

Now, Dante's guide is no longer Virgilius he stopped guiding him almost at the end of Purgatorio , but by Beatrice, who was introduced by mention in Inferno. In this one, just as in the previous one, Dante meets important figures, the difference being that in Paradiso they are mostly saints. The Paradiso has also a structure, just this time, its division is according to virtues, a That's that.

The Paradiso has also a structure, just this time, its division is according to virtues, and not of sins. The physical place of Heaven is in the space. There are many references to stars, contellations and some of the planets are even places in Heaven. We should all know that the entire Divine Comedy is an allegory to the ascend of the human soul to God, from the complete desperation and impossible salvation of Inferno , to the hope and suffering of Purgatorio and the happiness and holiness surrounding Paradiso.

Doesn't that look a little creepy? Again, I had great difficulty in understanding the book. Perhaps, as I said in my previous review Purgatorio , it was because I am tired of poetry and we will never get along or because the prose in this one was more complicated. Something tells me it is both, since in this one, there is also a lot of theology more than in the previous installments introduced. Thank you, Dante, for letting me introduce myself in your journey without being invited!

It was surely great! And I got to meet the Great One who everyone wants to meet don't deny it, I know you want to. Now, everyone praise me you know I couldn't avoid it. Jul 09, Laurel Hicks rated it it was amazing Shelves: I need to read it a few more times to really own it, though. It is filled with music and smiles and light. May 16, Brian rated it it was amazing Shelves: Right behind the Bible on my list. That's not to say the book is perfect, but this is a book to break one's heart, mind, soul, and imagination.

There will be better books two thousand years later. For now, we need to make do with this. Like Perelandra, the Paradiso has lotsa dialogue, much of it metaphysical, which is again probably why people do not usually like it. Certainly, I cannot blame some readers for not Right behind the Bible on my list. Certainly, I cannot blame some readers for not being entranced by theology like I am. However, this is not as much of a flaw as some would think. All sorts of movies and books have excess exposition of some sort—perhaps mathematical, perhaps scientific, perhaps strategic—but in all these cases, the exposition is forgiven because we get the big picture and the exposition that is there works.

Okay, sometimes the light is a bit blinding, but it is hardly the source and font of all our problems with heaven imagery. I hate to say it, but I think Bunyan is actually at the back of that and his work thankfully spends most of its time on the journey, not on the city. The one flaw that I concede is that Dante practically turns Beatrice into a sacrament. Lewis points out that devotion for the Virgin Mary increased after this time and one finally understands why.

The Divine Comedy, Volume 3, Paradise by Dante Alighieri - Free Ebook

Beatrice was the way medievals realized that to love God was not to reject the world, but to affirm all that was good in the world as a path to its source. God is more beautiful than women; this has some good effect for Dante and cautious readers like myself, but it damaged the faith of the hoi polloi that started to see Mary as God. However, I forgive him, because I still think he did pinpoint how beauty relates to God, including female beauty.

Also, I find it ironic that the greatest work of medieval literature is a cry from a man who hated the pope, hated the endless wars within Catholic countries,a and hated the profiteering of the church. It is almost too good to be true that the greatest work of literature should be so profoundly anti-Catholic in some ways.

Sometimes the poem nearly seems to collapse under the density of the imagery, but most of my friends like Tilt-a-Whirl and it does that too, and here the imagery can be enjoyed in itself without the deep symbolism that begs and cries out for detailed explanations—and in fact goes beyond anything Dante could have intended, since he clearly would have wanted us to extend the application. Nobody beats this kind of symbolism which is so pregnant with meaning that the poem seems to be jumping with joy like the pre-natal John the Baptist.

The Divine Comedy - Paradise / Canto XXII

This brings me to the center of the poem: When I first read Dante, I thought he meant to imply that the Father and the Son and the Spirit loved each other in the same way three individuals love each other, but I have been corrected and see that individuals have Spirit and that the Trinity is really a mystery that we cannot comprehend.

I remember the mind-blowing event of finishing this for the fist time and walking outside in the spring in the green grass and by a nearby stream. I had seen that the world was not a mere discard, but a mirror, a picture of what God was like and that the trees, the rocks, and the streams told me much more about God than all the books and sermons and hymns and prayers that have ever brought me closer to God. The fact that he can make you go through the Cantos and remember Beatrice more than Virgil is amazing. I still see her smile and her eyes, and I know what he meant.

Authors often do a better job with their bad characters than with their good characters. And Lewis also said that Dante got better with each book. Dante is no good until he gets to Purgatorio and the higher and higher he gets, the broader his wings stretch and yet all along he knows that he cannot capture anything in his verse.

This poem is astounding and staggering. This is a book I gotta reread every year for the rest of my life. And we will not have missed anything. What more could we ask for? This was easily my favorite of the three books of Dante's Divine Comedy. It is more beautiful of course than the Inferno with its lex talionis inspired vision of hell and for me at least much more interesting than Purgatory.

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I'm a Protestant, so there were necessarily many things Dante described with which I do not agree, but from a broad Christian perspective there was also much to agree with and for a Christian interested in the classics much to appreciate and admire. Stare qui a provare a cucire addosso le stelline al Sommo Poeta, mi sembra quasi un'eresia e non vorrei ritrovarmi per questo in uno dei suoi gironi. Dante Alighieri, uomo di immensa cultura, di elevatissima intelligenza e cuore appassionato.

E' un Stare qui a provare a cucire addosso le stelline al Sommo Poeta, mi sembra quasi un'eresia e non vorrei ritrovarmi per questo in uno dei suoi gironi. Un'opera d'arte che ha un fascino irresistibile, intramontabile. I'll admit I was relieved to reach the end of this one.

There were some really Great parts, and I Loved the last canto, but More than I needed to know about the arrangement of the planets and the orders of the angels, and Way more than I needed to hear about how Fabulously beautiful Beatrice is. I understand that she spends most of her time being allegorical, but still.

Her heart is clearly in the right place, but she is a terrible nag. Even so, there I'll admit I was relieved to reach the end of this one. Even so, there was enough that was beautiful or interesting or both in here, plus themes that ran through all three books, to make it worth reading the whole Divine Comedy. A comment on this particular translation -- the Mark Musa Penguin edition. The notes here are really excellent.

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Nothing obscure or scholarly, but very thorough explanations of the relevant points. The downside of the thoroughness is that there are a Lot of notes. On average, about ten pages of notes for every five pages of poem. The notes are at the end of each canto, which is really nice, because you don't have to flip to the back of the book, but they do tend to break the "flow" of the poem if you read them the way I do, which is, as a block after each canto.

What I Really would have liked would have been real footnotes -- at the bottom of each page. The Arden Shakespeares have those, and they do tend to take up more than half of the page, which isn't so aesthetically pleasing, But you can easily glance down and Just read the notes you need. As I said, they really are excellent notes, and all the other translations I've looked at do the notes the same way, or, worse, put them all at the very end. This time through I was much more engaged in Paradiso than the first time I read it.

Perhaps it is because of the commentaries I'd read ahead to prepare myself. Perhaps it is simply because the second time I was readier for this part of the journey. Whatever the reason, I found myself very moved by the Empyrean the celestial rose formed by Mary and the saints as they gaze on the face of God, with angels fluttering back and forth like bees and the rainbow spheres of the Holy Trinity with the fig This time through I was much more engaged in Paradiso than the first time I read it. Whatever the reason, I found myself very moved by the Empyrean the celestial rose formed by Mary and the saints as they gaze on the face of God, with angels fluttering back and forth like bees and the rainbow spheres of the Holy Trinity with the figure of a man in them.

These images are not only moving but somehow comforting and stayed with me through the evening and into the next day. I also was moved by reflecting upon the entire journey from the dark woods through the grotesqueness of Hell, the struggles up the mountain of Purgatory, and into the Heavenly spheres. I saw the book in a whole new light. I now understand much better why people urge readers not to simply read Inferno and stop. That is like settling down in a roadside hotel instead of going all the way to that glorious vacation you planned.

It is just a small part of the trip and can't be understood in context without the rest of the journey. Finished my slow reading of the Paradiso on the last day of the year, which somehow seems appropriate. The Hollander translation seems excellent, and the notes, while far too detailed in their summary of all earlier commentaries, pretty much answer most of my questions.

Now to go back to the Inferno and start my repeated rereading of the Commedia, this time in this translation. Somehow I remain convinced that if I just read it one more time, I'll understand everything, if only for 15 minutes. Feb 16, Helena rated it really liked it. Dante's journey to enlightenment ends with Paradiso. It was my least favourite part to be honest. I had hard time getting through the book and since I'm not into philosophy I didn't enjoy it as much.

Dante's brilliance cannot be denied.

Dante's Paradiso (the Divine Comedy, Volume 3, Paradise)

What a bunch of tedious, overblown bullshit. Paradiso reissued cover 2 16 May 01, Page Numbering 3 15 Jun 11, Paradiso 25 15 Dec 10, Acupuncture of the Mind Goran Zivanovic. The Spy Paulo Coelho. Hearts We Lost Umm Zakiyyah. The Remains of the Day Kazuo Ishiguro. The Pharaoh's Daughter Mesu Andrews. The Pilgrim's Progress John Bunyan. The Chance Karen Kingsbury. End of Days Wendy Alec. The Shack William P.


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An Essay On Criticism. The Complete Poems of John Donne. Leaves Of Grass Mobi Classics. Flaxman's Illustrations for Dante's Divine Comedy. Othello, The Moor Of Venice. The John Milton Collection.

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