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Please enter your name. The E-mail message field is required. Please enter the message. Please verify that you are not a robot. Would you also like to submit a review for this item? You already recently rated this item. Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Shakespeare and the idea of late writing: Cambridge ; New York: Cambridge University Press, English View all editions and formats Summary: And what exactly, then, do we mean when we speak of 'Shakespeare's late style' or Shakespeare's late work?

The Shakespeare Authorship Debate 2017

In Shakespeare and the Idea of Late Writing, Gordon McMullan argues that - far from being a natural phenomenon common to a handful of geniuses who, in their last few years, enter a rejuvenated period of serene, abstract or sometimes difficult, resistant creativity, a transition typically attributed to old age or to the proximity of death - late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the idea of the 'late plays' from the later eighteenth century to the present, noting not only the mismatch between what he call the 'discourse of lateness' and the actual conditions of production and of authorship in early modern theatre but also the generativity of this discourse for subsequent projections of creative selfhood.

Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death

This book offers the first full critique of the idea of late style and will therefore be of interest not only to literature specialists but also to art historians and musicologists and to anyone curious about the relationship of creativity to old age and to death. Find a copy online Links to this item Table of contents bvbr.

Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Internet resource Document Type: Gordon McMullan Find more information about: An account of Shakespeare's last plays in relation to the idea of 'late style'. Publisher Synopsis Reviews of the hardback: User-contributed reviews Add a review and share your thoughts with other readers. Add a review and share your thoughts with other readers. View most popular tags as: Similar Items Related Subjects: Shakespeare, William -- Shakespeare, William.

Shakespeare, William, -- Authorship -- Psychological aspects. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

Reviews of the hardback: It also demonstrates an elegance and modesty too often lacking in many discussions of complicated ideas. All this, and its open-mindedness, make it a very provocative, and a very important, book. To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.

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Authorship in the Proximity of Death

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